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Some further asserted the character was an attack on the show’s audience and that Anno wanted to “punish” his audience for their anime-loving ways. Many attacked the lead protagonist Shinji as weak and indecisive, unbecoming of the hero in a show aimed at adolescents. Other complaints centered on NGE’s main characters, many of whom were found to be unlikeable or unheroic. Yoshiyuki Tomino, the director of both Gundam and Ideon, said Anno tried “to convince the audience to admit that everybody is sick” and that it “told people it was okay to be depressed.” Additionally, much was made of the show’s religious imagery, particularly due to the sarin gas attacks by the Aum Shinrikyo cult, which preceded the show’s airing by about half a year. Critics such as Eiji Otsuka and Tetsuya Miyazaki accused Anno of “brainwashing” his audience and affirming, rather than criticizing, anime fans’ escapist tendencies. Moral guardians raised complaints about the show’s frank (and frequently bleak) depictions of sex and violence, demanding networks censors its content. Neon Genesis Evangelion’s ending was, however, just one of its controversial aspects. As a consequence, despite Evangelion’s immense popularity and influence, the franchise remains one of the most controversial works to ever air on broadcast television. The follow-up movie The End of Evangelion, released a year later, divided audiences even further. The final two episodes, noted for their abstract nature and for seemingly leaving several plot threads hanging, prompted a highly polarized reaction. While Neon Genesis Evangelion started initially with strong but not exceptional ratings, it soon expanded into a massive pop cultural phenomenon as more and more people tuned into find out what all the fuss was about, eventually reaching 25-30% of the targeted demographic. The show quickly caught the fascination of viewers. But where NGE would go with its premise was far stranger, blending the well-tread concept of adolescent soldiers with theological imagery, Freudian and Lacanian analysis, and abstract writing that soon set the show apart from its contemporaries. Gundam, Macross, and Hideaki Anno’s own Gunbuster had all covered similar territory before. In the process they have to face not only their deadly adversaries but also learn how to work together as a team, overcoming their many differences and personal issues. A group of teenagers are recruited by a unified global government to pilot giant robots (mecha) in a battle for the survival of humanity. The story of Neon Genesis Evangelion is, on first glance, nothing remarkable for Japanese animation. Conceived of by a single individual and owned by a small creator-run studio, Neon Genesis Evangelion was highly unusual and something of a defiance of the status quo. Nearly all were owned by a major studio like Toei or Toho. In the early-to-mid 1990s when it was produced, most of the major animated shows on air (both in Japan and America) were heavily merchandise-driven and sponsored either by toy or video game companies. Even from the start, NGE was somewhat exceptional. But it all started with one TV show, Neon Genesis Evangelion, created by Hideaki Anno for Gainax. Today, Evangelion is a major franchise, incorporating films, comics, video games, and more. And as we quickly approach the show’s 20th anniversary (the first episode aired October 4), I think it’s as good a time as any to examine why the show’s so beloved and why, in my opinion, it’s still relevant today. But even on the purely objective level of its influence on the animation industry, both in Japan and beyond, NGE and its subsequent spin-offs, sequels, and re-imaginings is a significant work worth consideration. The value (or lack thereof) of Neon Genesis Evangelion has been one of the most heated debates in anime fandom for decades. I realize that in making my claim, I’m setting myself up for criticism. (Spoilers ahead, though I’ll try to keep major revelations to a minimum.) And in my opinion it’s actually one of the best and most important television shows of all time, animated or not. I am speaking, of course, of Neon Genesis Evangelion, Hideaki Anno’s 1995 post-apocalyptic series about teenagers who pilot giant robots in a war for the survival of humanity. Like the aforementioned pieces it’s well-known and has been watched by many, but unlike them its value is frequently questioned and derided. But there’s one classic piece of Japanese animation whose legacy is far more contentious and which sparks controversy even today. They all have their critics, but few would dispute their place in history as landmarks of the industry. Films and television shows whose place in the history of Japanese culture is widely regarded as secure: Akira, Cowboy Bebop, Ghost in the Shell, Spirited Away, to name a few of the most prominent. If you’re a fan of Japanese animation (aka anime) you’ve doubtless heard of a few classics held up as the best of the medium. I have visited several sites, including those of the manufacturer (Qstarz) and the European representative (Variotek), to gather information. I was looking for an accurate GPS logger to be able to see the routes of my cycling trips afterwards. In short, not the cheapest, but definitely worth the money.įirst experiences with the BT-Q1000XT Travel Recorder I mainly use it with a foolography bluetooth GPS receiver for a Nikon camera - and it works flawlessly for geotagging. Is also not excessively lost (I lost a previous one.). It is important to scan the manual before using it (in a first trip it didn't log anything - my mistake!). It also allows some configuration of the GPS. The included software is quite complete, is not 100% bug-free, but certainly works satisfactorily (including the ability to map tracks, in time, distance, and even altitude. I can evaluate the sensitivity less, but it is certainly not on the low side (also indoors). I don't know how long it works, but at least more than 12 hours. The battery is a small rechargeable LiOn (included) thing. The capacity is more than sufficient (10 to 15 days in normal use (full day), I think. It can either only send the position via bluetooth, or that and log. As for the GPS fix: usually 10-15s cold start and often only a few (literally 1 to 3) seconds when it has lost the satellites for a while. I see two clear advantages to this device: it finds a GPS fix very quickly and it contains a virtually unlimited logger of your position. Software not 100% stable (but definitely OK) When you re-watch the movie, at least for me, I am struck how I stopped focusing on the narrative at all and really focused on the scenes, the bottled moments and witty dialogue. Good Will Hunting is an excellent movie that falls short of the upper crust because it was maybe not daring enough. I cannot think of a more satisfying way to tell this type of story. The black-and-white throwback photo shows the all-star cast of Good Will Hunting: Affleck, Damon, Casey Affleck, Minnie Driver, and Hauser himself. This is not all moments of feel good triumph or acceptance, but people growing struggling and advancing with the materials put in front of them. They all do it in ways that remain true to the characters they're cast as. It is how the characters manage to feel so real.Įveryone in this movie shows moments of honesty, failure and humanity. All the usual stages of psychological development play out: denial, anger, bargaining, depression and eventual acceptance of life's trauma. The narrative is pretty standard: someone greater than their class and start held back by the legacy of that life trying to find a way out. That sentiment and barriers we all face accessing that virtue is the core of this movie. Matt Damon is also no slouch in that department. The soul of this movie is undoubtedly Robin Williams and his powerful ability to portrait genuine compassion woven with pain and hurt. Good Will Hunting is to me a film of authentic experience. In a parallel development Odo Josef Struger is sometimes known as the "father of the programmable logic controller" as well. Modicon used the 84 moniker at the end of its product range until the 984 made its appearance. It was presented to Modicon by GM, when the unit was retired after nearly twenty years of uninterrupted service. One of the first 084 models built is now on display at Schneider Electric's facility in North Andover, Massachusetts. Modbus has since become a standard open protocol commonly used to connect many industrial electrical devices. About this same time, Modicon created Modbus, a data communications protocol used with its PLCs. The Modicon brand was sold in 1977 to Gould Electronics and later to Schneider Electric, the current owner. One of the people who worked on that project was Dick Morley, who is considered to be the "father" of the PLC. īedford Associates started a company dedicated to developing, manufacturing, selling, and servicing this new product, which they named Modicon (standing for modular digital controller). The result was the first PLC-built in 1969–designated the 084, because it was Bedford Associates' eighty-fourth project. The winning proposal came from Bedford Associates from Bedford, Massachusetts. In 1968, GM Hydramatic (the automatic transmission division of General Motors) issued a request for proposals for an electronic replacement for hard-wired relay systems based on a white paper written by engineer Edward R. Other PLCs used a form of instruction list programming, based on a stack-based logic solver. This program notation was chosen to reduce training demands for the existing technicians. Įarly PLCs were programmed in ladder logic, which strongly resembled a schematic diagram of relay logic. It also permitted for its operation to be monitored. With simple programming language focused on logic and switching operations, it was more user-friendly than computers using general-purpose programming languages. This allowed for easier iteration over manufacturing process design. It was easily extensible with additional I/O modules, while relay systems required complicated hardware changes in case of reconfiguration. It tolerated the industrial environment better than computers and was more reliable, compact and required less maintenance than relay systems. The PLC provided several advantages over earlier automation systems. These early computers were unreliable and required specialist programmers and strict control of working conditions, such as temperature, cleanliness, and power quality. When general-purpose computers became available, they were soon applied to control logic in industrial processes. Often technicians would spend hours troubleshooting by examining the schematics and comparing them to existing wiring. If even one wire were out of place, or one relay failed, the whole system would become faulty. Changes would require rewiring and careful updating of the documentation. The hard-wired nature made it difficult for design engineers to alter the automation process. Before, control logic for manufacturing was mainly composed of relays, cam timers, drum sequencers, and dedicated closed-loop controllers. PLC originated in the late 1960s in the automotive industry in the US and were designed to replace relay logic systems.
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